Interview by Kira Cramer This month’s spotlight shines on Kendal Clifton, our musical director for our summer camp production of The Claw. Kendal worked closely with Megan Hicks for both sessions of campers, teaching them many songs about friendship and conquering fears. Kendal currently attends WSU and is studying Music Education. We are grateful to her for spending two weeks of her summer at The Merc with our young actors. Kendal and I found some time during rehearsals to talk about her theater experiences. Our conversation follows: Tell us about your past experience with theater. Kendal has been performing in plays and musicals from 3rd grade on, and she’s 19 now. She has been cast in ensemble and lead roles in musical and non-musical productions. Some of Kendal’s favorite roles are The Cat in The Hat, Seussical and as Maria in The Sound of Music. What excites you about live theater? Kendal shares that she is excited about participating in live theater because it is unique – much different from a movie-musical. While film production often has multiple takes, live theater is intimate; no matter what character you play, someone in the audience will make a connection. As an actor, she says that she enjoys portraying a character totally unlike who she is. Why is live theater important in a small community like the Methow Valley? Kendal doesn’t come from a super small community, but she believes that live theater gives everyone something to participate in. She says that it’s a way for kids to understand what a community can be, and that theater doesn’t always have to be competitive or like Broadway. Kendal continues that live theater is an important building block that helps community members, young and older, know each other in ways different from just knowing each other in a small community. Can you share a unique experience you have had in a theater setting… As an actor or director? Kendal responded that in junior high, she was the understudy for Peter Pan and had no idea what it was going to entail. She learned a lot when she shadowed the actor who was playing Peter Pan (she was cast as one of the Lost Boys.) The part taught her that it’s okay not to be the lead because she realized that everyone gets a turn and the role you are cast in is usually what’s best for you and the show. Kendal also shared that she choreographed the dances for Seussical with her friends in high school, noting that it was fun to be behind the scenes as well as on the stage. Kendal highly recommends getting some experience in any aspect of theater–on stage as well as backstage – because working in multiple areas of the theater teaches a variety of skills and helps you gain appreciation for all that goes into a production. What draws you to a particular script like The Claw? Kendal commented that she did not expect The Claw to address as many topics as it does. She noted the complexities of emotions in the music–friendship and navigating life choices, which can teach the actors as well as audience members valuable life lessons that she hopes stick with them. She comments further that good theater has something that everyone can relate to, and if she were to choose a script for a children’s show, it would definitely be uplifting. In a good script, she says, struggle is necessary so that there is a positive resolution. Kendal says that music is most important to her – she is a musician first and a thespian second. Music, she says, always amplifies the story. As a director, what do you hope to accomplish? Kendal’s first goal is for the kids to have a good time. It should be fun, they should feel safe, and learn something. Whether they pursue music or theater, it is a great experience to express yourself and work on a team. Sports are more pressure, but theater allows you to be yourself with less confinement. Kendal hopes the actors leave the camp with a sense of accomplishment, and if they get the message from the show, that’s great. If they have the songs stuck in their head, it might become their motto and that is powerful – “it’s the best day…” Anything else you would like to share? Kendal shares that The Merc Playhouse could be in a much bigger city and do just as well because of the quality of performance and talent. She further states that the Methow Valley community is so powerful with auditions happening during the week of camp. She loves that everyone seems to know and help each other out. Kendal also stated how amazing Megan Hicks is as a director, actress, dancer, and choreographer; she says that she has learned so much being in her productions and working with her. Kendal continues that Megan has thoroughly inspired her to become a teacher with her passion and creativity, and Kendal hopes to continue participating in theater’s many aspects. We are so fortunate to have Kendal as our Musical Director during camp weeks and hope she will be back to work with our Merc Playhouse campers in the future. Interview by Anne Anderson This month’s E-Blast interview is with an important member of our Merc Community you may not know (unless you have small children who do theater in the summer!) Her name is Megan Hicks, and her summer camp is one of the reasons that our other youth performances are always stellar! Megan teaches middle school theater during the school year and produces a head spinning number of plays with, and for, young people throughout the fall/winter/spring months. But at least for two weeks in the summer, she belongs to The Merc, and we are so lucky to have her! Her first experience with The Merc was actually as an actress playing “Sally” in The Merc’s summer outdoor production of “You’re a Good Man, Charlie Brown.” We'll let her tell the rest of the story in her own words… Tell us about your past experience with theater. I started doing theater in 7th grade. I auditioned for the school musical and then a community theater show on a whim. It became a passion and now I teach junior high theater and direct, choreograph, and act at various community theaters. What excites you about live theater? You never know what is going to happen. The energy of the audience is a special feeling that can’t be matched and kids tend to blossom when they hit performances with a live crowd. Why is it important in a small community like the Methow Valley? I am amazed at the quality and amount of theater thriving in the valley. Theatre is a way to step into someone else’s world. It develops empathy and compassion. It also builds teamwork and communication skills. For the audience, it is a chance to escape the world and experience something new. Can you share a unique experience you have had in a theater setting... as an actor or director? My first introduction to Twisp and the Merc was performing in You’re a Good Man, Charlie Brown. I auditioned in Seattle and got a callback. Being unaware of The Merc Playhouse or the Methow, I posted on Facebook. Turns out, I have friends that know Julie (who was directing the show). They said she is awesome and the Methow Valley is beautiful, so I said yes to the show. The cast and stage manager lived together and we went on many adventures. We spent 4 weeks rehearsing during the day, and then performed 4 weekends at the Twisp and then Winthrop parks. It was an amazing experience. The week before our final weekend of performances, we floated the river. I collided with a log and I think the log won. Pretty sure I got a concussion so that last weekend was a little rough. But the cast was amazing and we all put on a great show. When Julie moved out of the valley, they asked me to run the summer camp and I’ve been doing it ever since. It is a highlight of my summer each year! What draws you to a particular script like The Claw or past camp scripts? Sometimes a show is chosen for the name. We want kids to sign up and be excited for camp. This year we went with something unknown. The Claw has really fun characters and references to 90s cartoons and toys. The Flair Bears are reminiscent of the Care Bears. The Mighty Mutant Power Turtles are a combo of the ninja turtles and power rangers. And of course there are some Beanie Babies. The music is very catchy and I’m looking forward to working on it. The show also has a great message of friendship and trying new things. We are going to have a blast diving into the characters and story this summer! As a director, what do you hope to accomplish? When working with kids in theater, I always hope they have fun and enjoy performing whether it is their first show or twentieth show. Throughout the week, we will work on being confident onstage while singing, dancing, and acting. We will work on projection (speaking loudly) and creating characters through our voices and movement. We will work together as an ensemble to bring this story to life and share it with the audiences. Who should consider attending performances of The Claw? Everyone! Kids and adults will get something from this show, and it may be different for everyone. Our camp shows are always amazing (especially since the kids learn it all and memorize their lines in one week). Just a couple of other facts about Megan you might enjoy … she has an awesome, supportive hubby named Travis who often comes along at camp time, but may have to stay home this summer with their two adult dogs and five tiny young puppies! Be sure to say “hi” to any or all of them if you see them in the valley! Musical Theater Camp directed by Megan Hicks July 11th - 16th 9:00 AM - 4:00 PM with final performances of Disney’s Winnie the Pooh, Kids Friday at 4:00 & Saturday at 2:00 Camp Registration is currently Full. Email to be placed on the waitlist. Calling all kids in 3rd grade through 8th grade! Musical Theater Camp focuses on all the skills necessary to participate in a musical production. Campers work on singing, dancing, acting, auditioning, character development, and theater discipline. Each day is filled with team building, theater games, educational sessions, and rehearsals that culminate in two final performances for the public at the end of the week. It is a fast-paced week that combines theater play with disciplined rehearsals to provide a well-rounded experience for all ages and experience levels. No prior experience necessary. Tuition: $250 $100 deposit due at registration, with the balance due the first day of camp. Scholarships available. Email [email protected] or call 509.997-7529 with questions or scholarship inquiries. Return registration forms with deposit check via mail to PO Box 425 Twisp, WA 98856 OR Email the form to [email protected] and we will call for a credit card deposit Download the registration forms here:
Disney's Winnie the Pooh, Kids
Music and Lyrics by Richard M. Sherman, Robert B. Sherman, Robert Lopez, Kristen Anderson-Lopez Music Adapted & Arranged and Additional Music by Will Van Dyke Book by Cheryl Davis Based on the stories of A.A. Milne and The 2011 Disney animated feature film Disney’s Winnie the Pooh KIDS. is presented through special arrangement with and all authorized materials are supplied by Music Theatre International, 421 West 54th Street, New York, NY 10019 Script, music and all other materials © 2010 iTheatrics Broadway Junior and MTI’s Broadway Junior Collection are trademarks of Music Theatre International. All rights reserved The Merc Playhouse invites you to the Tom Zbyszewski Children's Theater production of
Fantastic Mr. Fox Roald Dahl's Fantasy Adventure for Children Dramatized by Sally Reid Directed by Jane Orme Presented by special arrangement with The Dramatic Publishing Company of Woodstock, Illinois March 18 - 20 & March 24 - 27 Thur-Sat @7:00pm • Sun @2:00pm Doors open 30 minutes prior to showtime Thur March 24th is Admission by Donation Adult: $18 • Youth: $5 Ticket Sales Open March 1. Advance ticket sales only due to reduced capacity audience size. Please check back here when ticket sales open for covid guidelines. ABOUT THE FANTASTIC MR. FOX Boggis and Bunce and Bean One fat, one short, one lean These horrible crooks So different in looks Were nonetheless equally mean And so begins another enchanting Roald Dahl tale concerning the extraordinary adventures of three nasty farmers, two curious creatures, a family of foxes, and our hero—a most fantastic fellow! Come cheer on Mr. Fox and his friends, the Badgers, Moles, Rabbits and Weasels, as they refuse to be thwarted by Boggis, Bunce, and Bean. Mr. Fox will serve up a feast perfectly fitting for Mrs. Fox’s proclamation, “My husband is one fantastic fox!” We are bringing FOX back and we need cast members!The Tom Zbyszewski Children's Theater is excited to once again produce Fantastic Mr. Fox! We are holding auditions for approximately 6 parts. WHEN: Monday, December 13th OR Tuesday, December 14th @ 4:00 WHERE: The Merc Playhouse WHO: All children ages 8 and up who would like to participate! No experience necessary. WHAT TO KNOW: **You must fill out an audition form and sign up for an audition day. Download the form below, fill it out, and return it via email to [email protected]. **Sign up for either day and return your form by Wednesday, Dec 8th. **Parents will drop actors off to audition on their designated day at 4:00 PM. **Everyone coming into auditions must wear a mask! You will wear this mask throughout the audition. **This is a closed audition. Family members will be asked to wait outside or come back for pick up when the audition is over. When we know how many actors to expect each day, we can tell you approximately how long auditions will last. **You will be given pages to read at the audition. No previous experience or prepared readings necessary. Just come ready to get creative and have fun! **Actors who were cast in the show in 2020 are not re-auditioning. They will attend auditions for the director to see how the ensemble fits together, but they have parts. There are about 6 remaining parts open to fill. This is a very unusual circumstance and we regret that there are not an abundance of parts for new actors to our program. We hope to provide summer programming to include and encourage new participants, especially those who have been waiting so patiently to turn 8 years old! That said, we encourage EVERYONE who is interested to come out and audition and give it a try. **Performance dates are March 18th - 27th (Thurs - Sun). Questions? Call 509-997-7529 or email!
The Merc invites all students ages 8 and up to audition for the enchanting Roald Dahl tale concerning the extraordinary adventures of three nasty farmers, two curious creatures, a family of foxes, and our hero—a most fantastic fellow!
No previous experience necessary. All readings and materials to be handed out at auditions. Bring a parent with a calendar to auditions - casting will not be complete until all rehearsal conflicts have been turned in. Rehearsals will begin after holiday break, the week of January 6th. Performances run March 20th - 29th. Call 509.997.7529 or email for more information. Calling all young thespians ages 8 and up! The Tom Zbyszewski Children’s Theater at The Merc Playhouse announces auditions for the beloved children’s classic, Charlotte’s Web.
Director Jane Orme will be auditioning parts for all of the enchanting characters recalled from the story: Wilbur, the irresistible young pig who desperately wants to avoid the butcher; Fern, a girl who understands what animals say to each other; Templeton, the gluttonous rat who can occasionally be talked into a good deed; the Zuckerman family; the Arables; and, most of all, the extraordinary spider, Charlotte. No experience and no prepared readings necessary. Must be 8-years-old on or before December 16th in order to audition. Pages of script will be handed out at auditions. Bring your calendar to auditions and be prepared to list rehearsal conflicts! Rehearsals begin in early January, and performances run March 15th – 24th. For more information call 509.997.7529 or email us! All students ages 8 and up are invited to audition for our spring production of Rikki Tikki Tavi, directed by Jane Orme & Missi Smith. Come to either day of auditions dressed in comfortable clothes, wearing shoes that are easy to move around in, and ready to read pages from the script. No previous acting experience is necessary to audition.
Things to bring:
Rehearsals begin March 1st. Performances begin April 27th and run two weekends. There is a $45 costume fee to participate. Includes a production t-shirt. Partial scholarships available. Email Missi with any additional questions at [email protected]. Where is stage right? What direction do you go to get down stage? How does a designer create a set for a show? What is casting and how do directors do it? How can dance enhance a theater performance? What makes Reader's Theater different? Methow Valley Elementary students in the after school Cub Club program will have the opportunity to explore all of these questions, and much more, throughout the 2016-2017 school year. The Merc is super excited to have about fifteen students in grades three through six registered for this Children's Theater program that will focus on skills like character development, set design, mask-making, dance, reader's theater, stage blocking and many other elements of theater performance. With the generous help of volunteers, we have a variety of sessions planned for each Tuesday after school. We are calling it The Merc Playhouse Cubs. As part of the program, senior Liberty Bell High School student Bryce Tillman will be leading some of the sessions for work on his Senior Project - making this a partnership that spans into the high school as well. Bryce will call on his own experience acting onstage (you may have seen his excellent performance in Footloose in the spring LBHS show) to teach the younger students theater skills and also learn about theater leadership and teaching methods himself. We are thrilled to have him on board! After providing a six-week dance session last year, this is the first time The Merc has worked with Cub Club to provide an entire year of programming and we are looking forward to it! It's wonderful to have this extra opportunity to teach students the necessary skills for stage production and performance. If you are interested in volunteering to help with any of the sessions - it doesn't matter how many. Step in for one week, or help with a series of sessions. Have an idea for leading a session? By all means! We do have room in the calendar for additional volunteers and would love your help. Contact Missi at 509.997.7529 or email her with your idea for a session and/or available dates. All volunteers need the necessary background check paperwork on file at the district office. Join us for a very special Opening Night!Opening night is always special. The energy surrounding the start of a run of performances comes after a long, dedicated rehearsal schedule and a lot of hard work. The director, the actors, and the technical crew anxiously await the evening when all the work pays off and an audience finally sees the show. This cast and crew is no exception. They are READY and they have WORKED hard! We are very excited to have a house full of guests this evening, but tonight is special for more than one reason.
Tonight, we dedicate the run of our Wind in the Willows performances to Tom Zbyszewski. In the theater, we honor people by dedicating live performance. As performing artists, though, the nature of our work is somewhat fleeting. The work we do does not end in a sculpture, or a bench, or a memorial plaque. At the end of the night, it's over. The impact must live on in the hearts of those onstage as well as in the audience. When considering this, we at The Merc decided that there was a more lasting way we could honor Tom's memory in our theater. We have a thriving children's theater program here, and Tom was one of the young actors to be a part of our program in its very early stages. We always hope for young actors like Tom who come back season after season to play onstage and eventually mentor the youngest ones coming in after them. Tom was among some of the first children to fulfill that role for us and help our program grow to where it is today with over forty children auditioning for this very production of The Wind in the Willows. Without the original group of kids that Tom was a part of, this program would not have grown to where it is today. The next choice made sense - let's name our whole program after Tom. He was a shining star as a young actor here, and he remained a friend after moving to college. He came back and checked in, he sat in the audience, he continued to support our mission and be a part of our family. He had plans to come back someday and perform on our stage again. Though that friendship has been tragically cut short, we can continue to honor Tom the way he honored us by continuing our work with children while his name is part of our program. Tonight is for you, Tom. But not just tonight. Tomorrow night, and Sunday, and next weekend. And all that we do to influence young actors. We do it in your memory and to honor your dedication to your community. |